Iqbal Ameer, founder of Livescape Group and All Access Anonymous (Photo: Tommi Chu)
Cover Iqbal Ameer, founder of Livescape Group and All Access Anonymous is leveraging blockchain and AI to disrupt the experience economy (Photo: Tommi Chu)
Iqbal Ameer, founder of Livescape Group and All Access Anonymous (Photo: Tommi Chu)

At Semua House, a hub of creativity and urban rejuvenation, Iqbal Ameer shares how he’s breaking conventions and harnessing AI to reshape live entertainment. The founder of Livescape Group and All Access reveals how being the underdog fuels his vision for a fairer, fan-driven experience economy and what’s needed to unlock Malaysia’s innovation potential

Iqbal Ameer co-founded All Access Anonymous (AAA) in 2021 to connect users with the experience economy through blockchain technology, addressing data shortages in the live entertainment industry by turning “excitement into currency.” Blockchain technology prevents third-party data manipulation and ensures transparency. This allows AAA to be governed entirely by votes from the live entertainment industry stakeholders, including fans, event organisers, venues as well as artists or creators.

Iqbal is also the founder and Group CEO of Livescape Group, a Southeast Asian company behind large-scale events like It’s The Ship and Rockaway Music Festival. Drawing on more than ten years in live entertainment and digital marketing, this 2018 Gen.T honouree is known for his innovative vision in crafting unforgettable experiences and adeptly steering through various industry challenges.

You’ve pivoted from traditional event production to spearheading All-Access.io, a decentralised network that puts fan data on-chain and authenticated by AI. What sparked this evolution from creating experiences to democratising the data behind those experiences?

Iqbal Ameer (IA): This evolution stems from resolving gaps inherent to the industry. Current business models are highly opportunistic, benefiting neither creators nor fans. We’re at a watershed moment where technology has accelerated enough to support the industry’s readiness and value economics of fan-creator relationships. This is the foundation of All Access.

Read more: How Livescape Group’s Iqbal Ameer is taking live entertainment into the future

Tatler Asia
From left: Dinesh Ratnam in Boggi Milano shirt; Iqbal Ameer wears Boggi Milano blazer and trousers, Christian Louboutin shoes; Zac Liew in Boggi Milano shirt and trousers
Above From left: Dinesh Ratnam in Boggi Milano shirt; Iqbal Ameer wears Boggi Milano blazer and trousers, Christian Louboutin shoes; Zac Liew in Boggi Milano shirt and trousers
From left: Dinesh Ratnam in Boggi Milano shirt; Iqbal Ameer wears Boggi Milano blazer and trousers, Christian Louboutin shoes; Zac Liew in Boggi Milano shirt and trousers

Over the last few years of building All-Access.io, you’ve been tackling one of entertainment’s biggest challenges—fan data ownership and authenticity. How does AI-powered authentication change the relationship between fans, creators and platforms?

IA: This statement captures All Access’s true value proposition: fans are the market, not the product. Today’s extractive models exploit fan consumption data as a commodity—Facebook and Instagram are ‘free’, but sell your data. Instead of benefiting from their consumption value, fans end up overpaying for tickets, expected to cover marketing costs. Why pay for marketing when you’re the market?

Our decentralised ecosystem gives fans total data control, allowing direct fan-creator collaboration without middleman platforms using exploitative algorithms designed to extract maximum advertising revenue from all parties.

All Access also leverages AI to tailor entertainment content to match fan consumption patterns and needs, empowering both fans and creators. Our flywheel rewards fans immediately for authenticating what they like and what they don’t, creating a more equitable value exchange between creators and their audiences.

See also: In pictures: A roundtable discussion on how to be a self-aware leader

We’ve always been the underdog, facing challenges in environment, infrastructure and capital access. But this has made us more resilient, innovative and hungry as entrepreneurs

- Iqbal Ameer -

Your vision for All-Access.io positions “fan excitement as currency” within a decentralised system. How do you see blockchain and AI working together to create a more equitable entertainment ecosystem, and what does this mean for traditional intermediaries in the music and entertainment industry?

IA: Blockchain presents a unique opportunity to create a tokenised ecosystem incentivising positive creator-fan interactions. All Access introduces a form of ‘tokenised social capital’, recognising fans who contribute positively to content or experiences they love. Social capital measures monetary contributions and willingness to share social clout; for instance, reposting about artists on social media earns token rewards. Creators now have a direct way to engage fans and create more content value. We’ve essentially rewired entertainment’s value economy.

Our AI infrastructure provides a neural system supporting these efforts. For fans, it’s an entertainment companion tuned to their consumption and listening interests. For creators, it’s a vertical prompt tailored to their business, understanding their needs and consumers.

Again: AI tailors prompts individually, learning your likes and dislikes. You’re rewarded with tokens for authenticating your preferences through daily quizzes. These tokens can buy you Taylor Swift tickets because the AI recognises you as a genuine fan—it’s game-changing in our view!

Tatler Asia
From left: Iqbal wears Louis Vuitton blazer and trousers; Dinesh in Louis Vuitton blazer, shirt and trousers; Liew wears Louis Vuitton blazer
Above From left: Iqbal wears Louis Vuitton blazer and trousers; Dinesh in Louis Vuitton blazer, shirt and trousers; Liew wears Louis Vuitton blazer
From left: Iqbal wears Louis Vuitton blazer and trousers; Dinesh in Louis Vuitton blazer, shirt and trousers; Liew wears Louis Vuitton blazer

AI is transforming everything from personalised recommendations to virtual performers. How do you see AI enhancing rather than replacing the human connection that’s at the heart of live entertainment?

IA: I see AI as a plus—workflow optimisation, content creation tools, vibe coding, smart logic and more. There’s a plethora of AI tools to help you create music, movies and social content. We’re approaching a golden age of creativity where AI can serve as an ‘inspirational tool’ for our next-generation design thinkers, experience-makers and creators.

Don’t miss: The weigh-in: Is it acceptable to have artificial intelligence solve your problems for you?

If you had to offer a critique of AI and its potential impact on the live entertainment industry, what would that be and what could the strategies to mitigate or reduce its negative effects look like?

IA: AI shouldn’t be viewed as a cursory trend that’s convenient to some and inconvenient to others. The steam engine was replaced by internal combustion engines with massive socio-economic impact, but we adapted. Today, these engines are being replaced by electric motors, and so we’ll adapt again.

AI’s advent represents a shift in economic design and how we interpret core market value. It favours those who embrace, understand and know how to exploit it. You can pursue regulation, but you can’t stop it—it’s inevitable. But if you use it as a companion to help achieve your goals, you’ll move so much faster.

Tatler Asia
Outfits: Gucci (Dinesh Ratnam, Zac Liew); MSGM (lqbal Ameer)
Above Outfits: Gucci (Dinesh Ratnam, Zac Liew); MSGM (lqbal Ameer)
Outfits: Gucci (Dinesh Ratnam, Zac Liew); MSGM (lqbal Ameer)

You’ve previously spoken about Malaysia’s expertise gap, forcing All-Access.io to rely on foreign talent for blockchain development. Have things improved?

IA: Not necessarily, but Malaysia now has many blockchain communities and societies, especially within universities. We’ve tapped into these veins, giving students an AI companion to help them work faster. This allows us to take risks in hiring blockchain students to help us build.

Effectively, we’ve created multiple sandbox environments where students are shown real industry problems to solve using AI. They return with multiple solutions, and our team evaluates whether they’ve earned the bounty rewards we’ve set.

It’s been fun working with these students. They’re used to dry projects like developing inventory systems. Suddenly, they’re exposed to live entertainment. One student said, ‘Oh, you’re doing Duolingo,’ and we replied, ‘Yes, but instead of us teaching you, you’re teaching us.’

Tatler Asia
Iqbal Ameer wears Vestio Bespoke jacket and trousers
Above Iqbal Ameer wears Vestio Bespoke jacket and trousers
Iqbal Ameer wears Vestio Bespoke jacket and trousers

What is it about Malaysia’s ecosystem, culture or market dynamics that not only supports innovation but gives you a competitive edge? And what would you tell policymakers about the one change that could unlock Malaysia’s potential as a true innovation powerhouse? 

IA: I’ll be frank: Malaysians have never held all the cards. We’ve always been the underdog, facing challenges in environment, infrastructure and capital access. But this has made us more resilient, innovative and hungry as entrepreneurs. This resilience wasn’t created overnight; it’s been years in the making.

This environment has produced highly productive, innovative thinkers. I meet people everyday with great ideas that could only emerge from Malaysia’s unique circumstances.

To policymakers, I say: stop giving us a hard time! We’re now positioned to flourish. If you take steps to understand what we’re building, what we’re intentionally breaking, we can move forward together collectively.

Credits

Creative Direction: Noemy Zainal
Photography: Tommi Chu
Styling: Mughni Che Din
Stylist's Assistant: Surya Ammari, Kavisha Premii
Hair: Eranthe Loo
Make-Up: Eranthe Loo
Location: Semua House

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