Carla Mae Leonor, the design division chief of Design Center of the Philippines
Cover Carla Mae Leonor is design division chief of the Design Center of the Philippines
Carla Mae Leonor, the design division chief of Design Center of the Philippines

As design division chief of the Design Center of the Philippines, Carla Mae Leonor is innovating Filipino creative industries

It’s not unusual for a child to be interested in art. Drawings and paintings are often the earliest creative expressions we have. But from a young age, Carla Mae Leonor, who today serves as the Design Center of the Philippines’ design division chief, knew that her art was more than decorative—it could change lives. “Design was a calling that I answered early with the help of my family, who prized innovation over convention,” she recalls. “It was more than a hobby; it was a lens through which I viewed the world.” 

Leonor started studying interior design at the University of Santo Tomas in 2005. In 2009, she placed first in the Interior Design Licensure Exam. “Formal training taught me that my art can have a functional purpose and influence people’s behaviour,” she says. “I wanted to reinvent ordinary objects, making stories out of spaces.” 

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Diving into the world of design

Tatler Asia
Carla Mae Leonor, the design division chief of Design Center of the Philippines
Above Carla Mae Leonor studied interior design and also has a master’s degree in Entrepreneurship from Ateneo de Manila University
Carla Mae Leonor, the design division chief of Design Center of the Philippines

Over the past 16 years, Leonor has developed a multifaceted approach to design. She enhanced her education by earning her master’s degree in Entrepreneurship from Ateneo De Manila University. In 2021, she became a Merit Scholar at the Asian Institute of Management. There, she joined FIRE (Female Innovators for Radical Change), an organisation dedicated to empowering women in business and entrepreneurship. 

She also followed her creativity wherever it led her, from being a creative director at a home furnishings brand to designing fine Filipino jewellery. Wherever she went, she was fascinated by the fusion of design, business and technology. “Technology helped me elevate each design, making them not only immersive but more impactful,” she says. “I wanted people to rethink their assumptions. As my understanding of design broadened, I started to see it as a problem-solving tool for enhancing culture, identity and well-being.” 

Her first brush with the Design Center of the Philippines was in 2018. At an initial interview with executive director Rhea Matute, Leonor was asked an important question: What kind of project do you want to lead? “I said I wanted to build a sandbox for creatives where they can freely ideate, prototype and create without fear of failure,” she recalls. Still, Leonor wanted to pursue her own path before working with the Design Center of the Philippines. 

Carving a new path

Despite not taking the opportunity to work for the Design Center of the Philippines, she was fascinated by the expansion of Filipino Creative Enterprises. She wanted to explore how they could expand onto the global stage. “I started connecting more with Filipino creatives during the pandemic, when people were struggling with the uncertainties of what lay ahead,” she says. At the time, global consumer trends were shifting. With the help of social media, people began to show more interest in design as well. “We reflected, created and experimented,” Leonor says. “We brought down our walls as we craved connection and a sense of purpose.”  

In 2022, she co-founded the Bughaw Research Institute for the Development, Growth and Evolution of Creative Industries, abbreviated to BRIDGE Creatives. The startup connects creatives with data-driven, tech-enabled solutions to strengthen Filipinos’ global competitiveness.  

At the time, the team was following the development of Republic Act No. 11904, or the Philippine Creative Industry Development Act. Drafted by Congressman Toff De Venecia in 2021, the act amplified national Creative Economies, encouraging collaborations between the public and private sectors. “I saw how the government had the power and influence to drive change, acting as either an enabler or a bottleneck,” she says. “I saw this gap and tried to fill it.” 

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Without realising it, Leonor had answered Rhea Matute’s question through BRIDGE Creatives. A key part of their strategy was exploring data points about the impact of national policies and institutions. “These snapshots of our reality are great ways for our creatives to learn and build opportunities with neighbouring countries,” she enthuses. 

But after RA 11904 was passed, Leonor “realised my readiness for public service, seeing how my vision could have a nationwide impact and reach those who needed the most assistance.” Now, Leonor works on large-scale projects like Design X, pushing for more circularity in the design-manufacturing sector. She also heads ResiDisenyo, a design residency programme that revitalises Philippine craft industries and regional identity. 

This push for more democratised design is exactly what Leonor had in mind. “This gives voice to the users’ needs and preferences from the first stages of conceptualisation,” she says. “It ensures that the outcomes are not only technically sound, but also meaningful to the people inhabiting those spaces.” 

Looking forward with hope and resilience

Tatler Asia
Carla Mae Leonor, a graduate from the Asian Institute of Management and the Design Division Chief of Design Center of the Philippines
Above Carla Mae Leonor is co-founder of the Bughaw Research Institute for the Development, Growth and Evolution of Creative Industries, abbreviated to BRIDGE Creatives
Carla Mae Leonor, a graduate from the Asian Institute of Management and the Design Division Chief of Design Center of the Philippines

Despite her achievements, Leonor recognises that the Philippines still has a long way to go in making opportunities accessible to women. “I often found myself being underestimated by my male peers,” she says. “I had to prove my competence, but I was lucky to find mentors who were leaders in their fields. They shared my values and empowered me not to hold back, to be confident with my authority and to know that my opinion matters.” 

For Leonor, it was important to dismantle the cultural weight of hiya (shame) to push her career forward. “You’d be surprised: the people you admire from a distance could become your mentor,” she says. “I’ve since learned to be comfortable in my skin and to flex my accomplishments, while humbly owning up to my imperfections,” she says. 

The ability to pivot is rooted in Leonor’s commitment to being a lifelong learner. “I’m a nerd at heart; my interests range from design to material science to psychology,” she says. “I’m ready to learn from anyone at any time, allowing each lesson to refine and define my leadership skills.” 

It can be difficult to balance work and her private life, but Leonor prefers to see the two as integrated. “They’re complementary, with each aspect energising the other,” she says. “In everything I do, I want to empower people to see, do and think better. I dream that one day, the Philippines’ creative industries can be case studies for our neighbouring countries to learn from, the way we do from them now.”

Front & Female Changemakers celebrates the extraordinary journeys of inspiring women who have emerged as powerful changemakers in a range of fields, offering a glimpse into their lives and showcasing their courage, vision and relentless pursuit of change and progress. From social entrepreneurs and business leaders to educators, artists, activists and scientists, Front & Female changemakers exemplify the ability to challenge the status quo and demonstrate the power of women to effect change.

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Celine Dabao
Associate Editor for Tatler Homes, Tatler Philippines

About 

Celine first read Charlotte’s Web at the age of five–and she hasn’t stopped turning pages since. Her favourite authors are Mona Awad and Nat Cassidy. Besides writing for Tatler, she listens to BTS and spends time with her family.  


Work 

Celine took up secondary education with a major in English, graduating from De La Salle University in 2023. She advocates for female empowerment through creative expression by writing for Tatler Homes.  

For story leads or inquiries, you may reach out to her via celine.dabao@tatlerasia.com.